By ’95, he’d moved on and kickstarted new projects called Avalonia and Fractal, leaning into noisier, texture-driven territory heard on compilation cuts like “¡oh dios!” and “etersónico.” He eventually found his footing alongside contemporaries Miguel Ángel ‘Chino’ Burga and Aldo Castillejos of Espira, Wilmer Ruiz of Catervas, Carlos Mariño of Girálea, and Christian Galarreta of Diosmehaviolado most of whom met in 1994 while at the University of Lima. But when it came to making music and forming a scene, we just wanted to do what nobody else was doing.” Hipnoascencionįollowing in the steps of trailblazers like SILVANIA, Gonzalez Agreda got his start in the early ‘90s with the band Katarsis, which later morphed into neo-psych improvisationists Hipnoascensi ó n. “We were into Spacemen 3, Slowdive, and John Cage, so we were weirdos even among the weirdos. “Back in ’94, people were still listening to Joy Division, but we’d moved on,” says Wilder Gonzalez Agreda, founder of Superspace Records, a Lima-based label spotlighting some of Peru’s most eccentric sounds.
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